I always like to finish up the Tattooed Poets Project on a strong note, so today's tattooed poet, the last of this year's series, is the heavily-tattooed poet Debbie Kirk.
It also happens to be Debbie's birthday today, as we check out one of her tattoos. More specifically, let's look at the top of her left arm:
This piece, complete with straight razor, brass knuckles and cherry bomb, bears a banner that proclaims "Bow to your elders, you Emo Fucks."
I mean, what more can I say about that?
In discussing which tattoo of Debbie's to use, this exchange took place:
Tattoosday: "I hesitate to use the emo one because of the language and because I'm sure people will not understand why you would get it, but that makes me want to use it more".
Debbie: "its a favorite with peeps...it has been declared the sexiest tattoo ever..."
Tattoosday: "I love tattoos but they are generally so benign nowadays, so it's nice to see one with a true fuck-all attitude."
Debbie: "Yeah, that defines me what you said right there....and why I got the tattoo. I think that single tattoo is the most ME. I can be a bit honest...which is why people like my poetry."
Where'd she get the tattoo? Debbie recalls " I just remember I got it in Venice 5 years ago from a girl who proposed to me when I told her my idea...I still tell that story. I KNEW it was good with that reaction and she was hot."
Debbie gave us several poems to choose from, and the one we selected, she says, is very representative of her work:
Little Frankenstein girl
Little Frankenstein girl
has the hands of a pianist
And the heart of a broken organ
With thorns, glass
Bats and Indian ink
Seeping thro…
Sewn together
Crookedly stitched
Like a pastel valentine heart
Filled with mismatched parts
Little Frankenstein girl
Has the right brain of a killer
Her right hand is dominant
While her left foot always faces away
Wanting to disconnect
To run
To be free
To not be part of this
Fucked up experiment
Dreamt up by
A genius dressed in rags
And chased by demons
The kind that really scratch and bite
When you are fast asleep
Little Frankenstein girl
Is not a little girl anymore
The curls in her hair
Dreaded up in the sun
Medusa in the wind
Her loud strong voice
Muffled under the stitches
That firmly binds her lips together
Bondage bringing pleasure
Only to those who wish
To keep her silent
(and they are many)
The little Frankenstein girl
Can’t count the stitches on her wrists
From all of those nights
With her right hand doing
What her left foot
Wanted to walk away from
And her not understanding
That she was never really alive
In the first place
Little Frankenstein girl
All mixed up
And
Mix matched
Returning every evening
With fresh wounds to be sewn
From another vain attempt
To be mortal for just a few seconds
Before the fall
Little Frankenstein girl
Stolen parts
Come with stolen lies
Maggots and flies.
The gravedigger, looking to make a buck
Steals her a kiss
The moistness quenches her lips
He promises more kisses tomorrow
She scurries home
Knowing full well
She’s damned to a life of stolen kisses
And malfunctioning hearts
that spit in the moonlight.
~ ~ ~
Debbie Kirk has published 6 chapbooks and been in 12 anthologies and hundreds of print and online zines. She lives in Santa Cruz with her dog Dr. Gonzo. She has a website she rarely updates at tntkirk.com but she can be best located lurking around Facebook! Also check out http://tntkirk.com/.
Thanks to Debbie for sharing her tattoo and poetry with us here as we close out the Tattooed Poets Project on Tattoosday. Also, we wish her a very happy birthday today!
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"The tattoo is fairly literal; the state of Florida is burning, with the words "Til The Bitter End" aside it. I moved to Miami for 4 years to pursue a relationship, and saw it out to its unfortunate conclusion. The tattoo is born out of that experience, and I got it to help me put a finishing stamp on what happened there and what brought me back to Long Island. None of us are perfect, but we can become stronger people if we have reminders of our mistakes and put them to good use to make sure they don't happen again. This piece, along with most of the work on my body, was done by Chris Koutsis of Da Vinci Tattoo Studio in Wantagh NY. I told him exactly what I had in mind, and between my ideas and his talents I was very happy with the outcome."
The following is my favorite of the several poems David sent me to choose from:
hello, atmosphere.
I keep the eyes of a rapist in a jar by my bed walk lightly for that part of the room is glass modern-day sorcerer, am I blueprints and otherworldly photographs in my drawers beakers and tubes filled with dust the cold makes it feel like home and when the mirror talks to me, it only says "I will wrap you in a sheet before this night is done." well so says you, my sweet, but look what you've become all my furniture, ghosts rooms rife with other lives no doors my paintings are stolen from churches and are hanging backwards and are numbered one to infinity.
~ ~ ~
David Jonathan Newman has been a poet and vocalist/lyricist in bands, both on Long Island, NY and in Miami, FL. He currently is working on a collection of poetry, writes music as a solo artist and has a blog (http://captainselfdestruct.blogspot.com) where he posts both his solid works and stream of consciousness ideas. He's been winning poetry contests since 6th grade, and the poem above, "Hello, Atmosphere" won a writing contest at the SUNY College Of Old Westbury which was featured in Harmonia, their on-campus writing publication.
Thanks to David for sharing his tattoo and poem with us here on Tattoosday!
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Well, dear readers, I've been waiting to post this next tattoo for over a year, ever since Dorianne Laux posted it on her Facebook wall last April and directed me to it. This amazing tattoo belongs to Claire Nelson. Behold:
This photo was taken shortly after the tattoo was done by artist Ron Henry Wells, who graciously allowed me to copy it from his site and reprint it here. He noted that he "used a antique typewriter that [he owns] as reference". He was also swift to point out that the picture's not that great, as the curve of Claire's thigh makes the tattoo look a little warped, but he swears it is straight. I would beg to differ, as the photo really captures the beauty of the tattoo and the wonderful artifice of the tattooist.
Claire sent me a newer photo for a slightly different perspective:
Claire explains this incredible tattoo:
"I love writing, tattoos and typewriters. When I met with Ron at Anonymous Tattoo in Savannah, Georgia, he seemed as psyched about doing my tattoo as I was about getting it. Ron asked a few simple questions. “How do you feel about birds?” I felt good. “Flowers?” I also had positive feelings about flowers. And then, we were off. Two sessions and some intense pain later, I came out with this amazing tattoo. Writing will always be part of my life, and now so will this tattoo."
Claire also shared this poem:
Kazoo Serenade
The last nice thing you said to me
was “Your breath smells like vodka,”
as I hummed at you
through a kazoo. It was an
original composition;
maybe not
technically perfect—
I wasn’t concerned
with mechanics. Who needs rules
when there are kazoos in the world?
I did an accompanying jig
on a cracked patch
of sidewalk.
Why is cement
always damp on summer nights? It made such a
satisfying smack
against my bare-feet,
cool and wet,
like the familiar kiss
of a person I rarely see.
I could have danced circles around you
all night
until we were both too dizzy to know
melody from moment,
beauty from spit and plastic.
Instead, I unbuttoned the pocket
on your shirt, and slipped the kazoo inside.
I don’t need retrospect
to tell me
you don’t deserve
a kazoo serenade. Oh I wish
it was about deserve
and not desire.
~ ~ ~
Claire Nelson is a senior Dramatic Writing major at Savannah College of Art and Design in Savannah, Georgia. After graduation Claire will be moving to Tallahassee to pursue her M.F.A. in poetry at Florida State University.
As for Ron, he is currently working out of the Boston area, but occasionally is a guest artist at Three Kings Tattoo in Brooklyn.
Thanks to Claire for sharing one of the best tattoos we have seen in this year's Tattooed Poets Project, and for sharing her poetry as well, here on Tattoosday.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com/ and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Today, as we enter our final week of this year's Tattooed Poets Project, we are honored to have Tantra-zawadi as our tattooed poet.
Photo by Arnold Browne
Tantra shared the tattoo visible on her right arm:
This tattoo was done by Louis of Third Eye Tattoo in Brooklyn. Tantra explains:
"Swans usually mate for life…Passion is a given in my work and how I love...The inspiration to become a part of something or someone for the duration of the journey is deeply beautiful. Breathing through the ripples, the illusions, the wounds, the truth, the laughter, the healing and the magic of letting love…Sharing life IS the adventure! My poetry, like the mating of swans has been a part of my consciousness since I was a girl child. It has grown with me and in me; writing candid love notes on my heart to the groove of house music in my soul! I am life poetry."
Tantra also shared this tattoo:
Photo by Arnold Browne
On her left shoulder is the line "We make love in the way of the spirit," from her poem "Third Eye Kisses" (Gathered at Her Sky - Poets Wear Prada Publishing 2010).
Tantra shared this poem with us:
Poem for Haiti
Toe nails painted red Fingernails and Lips thus stained
I look at her cleanly Parted scalp Plaited locks of wisdom
With lavender ribbons
Gathered at her sky
Vibrant energy skirted and
Pleated from waist to ankle
With her hands delicately
Placed upon her chest
One on top of the other Motionless
She was gentle (I think) Most likely Waiting for her groom for she was a good girl before she was swallowed
They lay in piles the brown people tinged gray and I wonder if the one with the chocolate hand was her beloved
Respectfully waiting for his bride
He dreamed of her too (I think) before he was swallowed
Butthereweresomany
Thereweresomany
Thereweresomany
Fairies, maidens Princes, poison apples and ogres in the agony of Hushed lullabies and wailing Absent walls or petitions
Only tears of freedom
Gushing in perfect French pooling into mud cakes and spirits that rise from their dust
Tantra-zawadi best describes her work "by the love that I make through my art to the vision of the unseen reality." Soulful and sublime, her poetry explores love in all its forms; from the rush of the first kiss to the bittersweet. Born in Brooklyn, New York, as a performance poet and published author, Tantra uses her voice to support the rights of women to exist, think and create through art.
Tantra has performed to standing-room audiences at venues as far away as South Africa, London, Germany and Toronto as well as venues closer to home in the tri-state area. She has performed original works in the off-Broadway productions of Girl – A Choreospective, A Night of Three God/desses: Soldier Blues and Powerful Women, An Evolution in Reinvention, the Numeral Three, Leaving My Apartment and Other Urban Adventures and projects with the vonduvoisdancecollective. Tantra's recent appearances include the New York Public Library of Performance Arts at Lincoln Center, Badilisha Poetry X-Change Festival in Cape Town, South Africa and the Montserrat Poetry Festival in Missouri. Tantra is a 2010 Pushcart Prize Nominee and a recipient of the Kings County District Attorney's Office Women’s History Month Award for her artistic contributions to the borough of Brooklyn.
Tantra-zawadi is the host of her own spoken word series, WORDSPACE, and has made several appearances on cable television, local and satellite radio shows. Known for being on the cutting edge as an artist and for speaking out about issues such as HIV and AIDS awareness, Tantra’s poem and video “Scarlet Waters,” was featured on the Product(RED) video wall created by U2’s Bono and Bobby Shriver, to raise awareness for HIV/AIDS in Africa. Her short documentary, “A Silent Genocide ~ A Brief Insight into HIV/AIDS” edited by Oliver Covrett, takes another look at the personal impact of this disease. Tantra also participated in a public service announcement for BETAH Associates produced by Marc Herbert Productions aimed at promoting HIV/AIDS awareness. Tantra’s videos and films may be viewed on-line @ www.youtube.com/tantrazawadi.
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Today's tattoo comes to us from poet Christina Continelli. This is part of the lower half of her arm sleeve:
Christina explains the origin of this piece:
"The tattoo is from the front cover of a vintage Heavy Metal comic book my ex-boyfriend used to have. The sleeve was adapted from the drawing by Avelino Avilia at Spirits in the Flesh Tattoo Studio in San Francisco. I had the work done in 1997. There was no deep meaning behind it. I simply found the original image aesthetically pleasing."
What follows is Christina's poem "Charity, " which, she says, "was supposed to be published in [another magazine] this year, but they fell off the face of the earth." Their loss is our gain, I say, and they haven't responded to her queries about the poem, so this would mark it's first publication, I believe.
Charity
This person who requires
very little of me
wrecks the neighborhood
in spirits and crushed feathers
I wheedle the ajar door
just give a push
and enjoy the feel of it giving
Let loose on the night
with you clawing behind me
feral, whip-tailed, gentle man
a shriek of rubber on wet pavement
and questions
so many questions
I feel two things:
the smoky grit of the upholstery &
the constellation of insects in my veins
Lust is the arch of the moon
in the stomach of a middle-aged woman
perverse and sterile,
a sprinkling of glass and lacquer
from a childhood memory
of dark sex and rage
I keep hearing you talk to me
It sounds like a sugar cube
muddled in brandy
~ ~ ~
Christina Continelli is a poet, fiction writer, and essayist. She cut her poetry teeth in the San Diego spoken word scene. In 2004 she moved to Oakland, California to attend the MFA program at California College of the Arts. Her work has appeared in Goodfoot Magazine, Slice, How2, and Monday Night Lit.
Thanks to Christina for sharing her poem and tattoo with us here on Tattoosday!
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Today's tattooed poet, Dr. Grisel Y. Acosta, sends her submission in from Texas:
Grisel explains this body art:
The Mets are kind of responsible for the tattoo I have on my arm and shoulder.See, my husband is obsessed with the Mets and when we moved to San Antonio from the East Coast, he lamented not being able to see his team on a regular basis.He was so puppy-dog sad that when he planned a trip to Houston purely on the basis of seeing the Mets play the Astros in Minute Maid Park, I couldn’t help but enthusiastically agree, just to see the wonderfully happy look on his face.But, I said that if he was going to have a cool experience on the trip, I had to have one, too: I was to get my next tattoo at the famous Texas Body Art, known for countless features in tattoo magazines and highlighted appearances at tattoo shows across the country.I wanted a skull with blue roses coming out of it but I was wavering about the idea.Then, a dear friend reminded me of the literary connection of the image in Tennessee Williams’ The Glass Menagerie, one of my favorite plays by one of my favorite writers.Ah, yes, the idea was perfect—and the trip was, too!The Mets won in a record 17 innings!And I won a professional work of art that was designed on the spot in a matter of minutes by the skilled artists at Texas Body Art.Sweet!
For people not familiar with The Glass Menagerie, one of the characters, Laura, has the nickname "Blue Roses".
Grisel also sent along this poem:
Trash
Papi threw out all my artwork.
Derek’s carved open chest,
blue-black heart and orange skin in
Design marker scrawl,
condemning our underground afternoon of
Southside sad lust.
A spotlighted box of cereal called “Health”
in a room with a grass floor, pine tree
decoration, and chopped lumber sitting neatly.
Acrylic nature.I miss this one the most.
I am reminded of it every time I shop at Whole Foods.
Even the two-bits.Tiny 2x2 art,
entered in competition, or sold.
Two of mine won awards.
One of them, my first sale, was bought for $5.
It was a multi-colored, swirling cathedral called “My Bed.”
I placed all the work under the bed
in the guest room.By my next visit,
it was gone,
except for “Insane Bridget.”
She is framed and in the living room,
face turned away, bony back
curved at the viewer, harsh
charcoal on brown paper.
Dark copper sadness, winner of a gold prize.
Papi values winning.
Anything else is trash.
And this is why, today, he is so afraid,
scared that retirement means he, too, is trash,
wary of children who might find him useless.
But artists make beauty out of trash.
We roll in the discarded and live with its decline,
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Yesterday, we enjoyed the tattoos and poetry of Elliott D. Smith. Today, we get to check out the work of his roommate, Jared Singer.
I met Jared, along with Justin, last month at the Barnes & Noble flagship store. Like Elliott, Jared's tattoo is a work "in progress" inked by the incomparable Joy Rumore at Twelve 28 Tattoo in Brooklyn.
Check out Jared's upper right arm:
Jared explained that this tattoo has two origins. First, it was inspired by lyrics from a group called Living Legends. More specifically, the words "I'm so fly, even my shadow has its own friends."
The other motif in this piece comes from the lyrics in "9-5ers Anthem," by Aesop Rock, that proclaim, "I tend to underestimate my own average."
Jared says he originally conceived of the piece consisting of "shadows with other shadows". Joy drew up the design and said, "How about this instead?"
The rest is history. Well, sort of. As mentioned at the top of the post, this sleeve-to-be is still a work in progress.
Jared shared this poem with us:
The Last Love Letter from an Entomologist
Dear Samantha,
I’m sorry, we have to get a divorce.
I know that seems like an odd way
to start a love letter, but let me explain.
Its not you,
it’s definitely not me,
it’s just, human beings don’t love
as well as insects do.
I love you far too much to let what we have
be ruined by the failings of our species.
So instead,
I’m going to leave you now,
while I can still remember you fondly.
I saw the way you looked at the waiter last night,
I know you would never do anything,
you never do, but still I
saw the way you looked at the waiter last night.
Did you know that when a female fly
accepts the pheromones put off by a male
It rewrites the way her brain works,
destroys the receptors for pheromones.
Sensing the change, the male fly does the same.
When flies love each other,
they do it so hard,
that they can never love anything else ever again.
if either one dies before procreation
both sets of genetic code are lost forever.
Now that is dedication.
After breaking up with Elizabeth
we spent three days dividing
everything we had bought together
like if I knew which pots were mine,
like if I knew which drapes were mine,
the pain would go away.
When two praying mantises mate,
the nervous system of the male
begins to shut down.
While he still has control over his motor functions,
he flips onto his back
exposing his soft underbelly to his lover like a gift.
She then proceeds to lovingly
and I do mean lovingly
dice him into tiny pieces
which she shoves carefully into mouth
wasting not a single morsel,
even the exoskeleton must go.
She does this so that
so that when their children are born
she has a first meal to regurgitate to feed them.
Now that is dedication.
I could never do that for you.
So I have a new plan.
I plan on spending the rest of my life committing petty injustices.
I will jaywalk at every opportunity
I will steal things I could easily afford
I will be rude to strangers
I hope you will do the same.
I hope reincarnation is real.
I hope that these petty crimes cause me to be reborn as a lesser creature.
I hope we are reborn as flies.
So that we can love each other as hard as we were meant to.
~ ~ ~
We also have the good fortune of having video of Jared performing this piece at the Bowery Poetry Club in 2009:
Jared Singer is a poet and audio engineer who lives in New York City. While he may have physically grown up with his peers, he has never forgotten the imagination, magic, and nerdiness that were corner stones of his childhood. He hopes to remind others of these more creative times. He has been published by The Legendary, Union Station Magazine, The Spoken Word Almanac Project 2010 and has also appeared on the Indiefeed Peformance Poetry Podcast. He is the NYC Urbana 2009 Grand Slam Poetry Champion, The 2009 NYC Louder Arts Individual World Poetry Slam representative and a member of the 2010 Nuyorican Poets Cafe Poetry Slam Team.
Much thanks and appreciation to Jared for sharing his work with us here on Tattoosday!
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I met Elliott D. Smith at the Union Square Barnes & Noble last month and took pictures of his tattoos for The Tattooed Poets Project. I also met his roommate Jared, whose work will appear here tomorrow.
Elliott has quite a bit of work, including a sleeve-in-progress, which is being constructed by the wonderfully talented Joy Rumore at Twelve 28 Tattoo in Williamsburg, Brooklyn.
Check out this composite of Elliott's right arm:
This still-incomplete tattoo is part of a sleeve based on a mural at the Morgan Street stop on the L train in Brooklyn.
Photo by Elliott D. Smith
The sleeve has the Alice in Wonderland figure at its center, but a lot of other images, like the banana as well. Elliott pointed out in the photo above that the banana (lower right corner) is much smaller. For the purpose of the art of the tattoo sleeve, its scale has been increased significantly.
Elliott added that he visually enjoys the image of the mural, and his "own little Alice in Wonderland dream land" is slowly taking shape on his flesh.
Also on his right arm with the sleeve is this quote from "The Transformation of Silence into Language and Action," by Audre Lourde:
The quote is "I am not only a casualty, I am also a warrior."
There are times when a writer's words resonate so loudly in your ears, they shake you to your core. Elliott told me that he "read it [these lines] one day and the next day got the tattoo."
He offered up this interpretation of the line: "it's easy to think of yourself as victim," he said, but succeeding in life is about "surviving and fighting through victimhood".
Elliott also has these words on his outer wrists:
This is the third poet this month with "poet" inked on his or her flesh. However, the combination of "freedom poet" adds another dimension to the corporeal text.
This was a "spur of the moment" tattoo, Elliott told me, elaborating that aside from the obvious "poet," he is "holding freedom in his hand and facing out".
Finally, we don't get a lot of lower back tattoos here on Tattoosday, but when we do, they are extraordinary:
Elliott took a couple of photos into Joy and she crafted this design. The concept is a spin on the "power to the people" idea, but with an emphasis on urban people. "Most Americans live in cities," he explained, "but [they] don't have power". This is a spin on the frustration that many feel, that the values of the citizenry of the American cities are not represented by the government.
As for poetry, Elliott offered us this work:
EARNING STRIPES
I own thirteen striped shirts.
I have known the misfortune of wearing lines on skin,
stretch marks and self-hate carve flesh in convincing fashion.
No lover has ever asked me why
I have known the misfortune of wearing lines on skin,
razor blade reminders tattoo thighs with teenage dreams.
No lover has ever asked me why
it was so easy to steal from myself.
Razor blade reminders tattoo thighs with teenage dreams,
this belly, a thanksgiving turkey for carving--
it was so easy to steal from myself
when I didn’t believe I had anything to give.
This belly, a thanksgiving turkey for carving.
Sliced up white meat
when I didn’t believe I had anything to give.
Mother doesn’t know there’s blood on the stairs.
Sliced up white meat,
stretch marks and self-hate carve flesh in convincing fashion.
Mother doesn’t know there’s blood on the stairs.
I own thirteen striped shirts.
~ ~ ~
Elliott D. Smith reps Louisville, Cincinnati, and Brooklyn. When he's not working with formerly incarcerated people or conducting research on masculinity, he drinks whiskey and talks too loudly. He believes in the power of tattoos, reference books, and matching music with the weather.
Thanks to Elliott for sharing his ink and his poetry here with us on Tattoosday!
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Today's tattooed poet is Stephen Caratzas, who was sent our way via Jillian Brall, a tattooed poet who has appeared on the Tattooed Poets Project twice before (here and here).
Stephen sent along this cool photo:
The tattoo in question is on his wrist. For a closer look:
Stephen explains:
"The tattoo is a griffin, inspired by an image of a griffin holding a Walther PPK automatic pistol on the cover of Ian Fleming'sOn Her Majesty's Secret Service. The artist, whose first name was Mike - don't recall his last name - decided to make the gun into the griffin's paw, which I agreed was a sensible idea.
I got the idea for a tattoo on the inside of my wrist from one of the characters (Casper, I believe) in Larry Clark's film, Kids. I liked the idea of having a visible tattoo even while wearing a long-sleeve dress shirt."
The tattoo is among eight Stephen has, and was inked at Fun City Tattoo on Macdougal Street in Manhattan back in the late 1990s.
Stephen sent us several poems, but I liked this one best:
THE NEW CORONERS
I never felt so good as when a waiter
in Amsterdam called me monsieur
after ordering beef champignon
putting his pen to his lips and looking off
“I believe monsieur has ordered the better dish”
so then you ordered it too
in a place called De Oude Doelen
(the old aims the old targets the old goals)
a drunk at the bar sang along with the jukebox
for years afterward I searched for the song
it wasn’t Elvis but it was sad
the song and the drunk and it was our last meal
when we two parted it was inevitable
it always is it always is
~ ~ ~
Stephen Caratzas is a writer, musician and visual artist living in Hastings-on-Hudson, New York. His writing has been published in Terra Incognita, Maintenant 5, the tiny, and many other journals.
Thanks to Stephen for sending us his tattoo and poems! We here at Tattoosday are grateful for his contribution.
If you are reading this on another web site other than Tattoosday, without attribution, please note that it has been copied without the author's permission and is in violation of copyright laws. Please feel free to visit http://tattoosday.blogspot.com and read our original content. Please let me know if you saw this elsewhere so I contact the webmaster of the offending site and advise them of this violation in their Terms of Use Agreement.
Last year on the Tattooed Poets Project, the best ink we saw belonged to Seth Berg, hands down.If you don't believe me, check it out here.
Seth has the honor of being the only previous tattooed poet to return to the site this year. And he has sent us a quintet of tattoos, choosing the theme of "tattoos which have faces on them." And away we go:
Seth explains that "the two faces depicted in Audrey Kawasaki paintings are part of a half sleeve on my right arm." Why does he have Kawasaki art inked on his flesh? "Audrey Kawasaki is one of my favorite living painters and the half sleeve is a tattoo combining two of my favorite paintings of hers," says Seth. "I have seen other Kawasaki tattoos," he continues, "but I am quite impressed with this double-painting-half-sleeve blend."
Seth says "the Lego head is on the back of my left calf ... [and is] one of the few 'walk-in' tattoos I have. I had just purchased an Exo-Force Lego set and was quite amazed at the progression of facila expression." He adds, "I decided to honor the old school original on my leg. I grew up wanting every Lego piece on the planet. I couldn't not get a Lego tattoo."
Seth explains: "I am a sucker for Halloween--my wife and I had a Halloween-themed wedding the Saturday of Halloween weekend and we host a Halloween bash every year--thus, the Jack-o-lantern was a natural addition to the collection." In case you're wondering about the word "rain" in the photo, it is not a word in Shelley Jackson'sSkin Project, he just loves the rain, and this is one of a "multitude of font and literary tattoos" that he possesses, so we know what Seth is giving us next year!
Seth explains that "all of the tattoos, with the exception of the skull and bones, were completed by Claudia "Billy" Baca at Saint Sabrina's in Uptown, Minneapolis." He notes, "however, she currently works in Austin, Texas at Bijou Studio."
As for a poem, this is what Seth has offered to share with us:
"Constructing a Proper Torch"
Douse the head of a cat tail
into a soapy mixture
of Dawn brand dish detergent
and gasoline;
reinforce the stem
with a steel rod or femur;
set the head ablaze;
open your face to the air.
When paper cranes
spill from your mouth,
remember to light the dark, sew feathers to your fingertips.
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